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The Adoration that actor Arun Govil earned, for his Portrayal of Ram was so Intense that he had to give up Smoking in public. Sagar Revealed that at that time, the Audience had so much Patience that everyone used to Queue up silently and there used to be No Noise on the Sets from the part of the Onlookers and Makers of the Show used to bear all the Food and lodging expenses of the Crowd at that time.
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The Show earned a Spot in the Limca Book of Records for the World’s most watched Mythological series.Īll producers Refused to Sponsor this serial then Ramanand Sagar himself Sponsored. Ramayana was the First Indian serial to be Broadcast for 45 minutes. Owing to the Popularity of the show, It was Extended to a total of 78 episodes, Instead of the original 52 episodes and Shoot for Ramayan went on for over 550 days. This Serial was so popular that When it was Telecast, the Streets of the country would be Lost.
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In fact, Many used to watch the Show barefooted with the Entire family – Emulating the Same way that they used while Visiting a Temple or any other place of Religious importance.Īt that time, It was found in the Survey that when Ramayana serial Started 99% of India’s TV Used to see. Ramayan had Created so much Frenzy around that the Audience used to see the Actors as their Rel-life Gods. Ramayan was Telecast in 55 Different countries and Earned a Viewership of around 650 million. When Ramayan first Aired, Doordarshan reportedly Earned ₹40 lakh for each episode. His group of companies produced over 25 motion pictures till 1984 with over 15 of them being box office hits some of them crossed 75 weeks theatrically some have become evergreen hits in the annals of Indian cinema.Ramayan was made with a Budget of ₹9 lakh per episode. Sagar's magic touch as a producer and director was felt in his evergreen music, massive productions, spectacular locales and big star casts. In 1957, Paigham (starring Dilip Kumar, Raj Kumar and Vaijayanti Mala) won the Filmfare award for the best dialogue and thus began the golden period of his film career. In 1950, Sagar launched his production company Sagar Arts and the first film was Mehmaan (The Guest). His entry into the world of films took place when he wrote the story, screenplay for Raj Kapoor's superhit Barsaat. In 1942-43, he was invited by director Mehboob Khan and by writers Krishen Chander and Monto to come to Bombay. In 1940-41, he was signed as a leading man for the film Koel and as Abhimanyu in an unfinished film Krishna at Shalimar Studio, Poona.
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Ramanand Sagar the filmmaker was born in 1936 with the silent movie Raiders of the Rail Road.
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Penniless, his only possessions at that time were five annas and a trunk full of manuscripts that described the horrors and destruction, witnessed by him during those turbulent times. In 1947, Sagar had to flee to India with his family. He made a significant contribution to the literary world 1943-49 with his Jwaar Bhata (High and low tide) in 1943, Ainey (Mirrors) the next year Jab Pahle Roz Baraf Giri (The first day when it snowed), Goura in 1948 for a stage play enacted by thespian Prithviraj Kapoor among others. It caught the fancy of the literary world including Krishen Chander and won him acclaim. And it was there that he wrote a column diary of a TB patient serialised in Adab-e-Mashriq - a highly rated magazine in the 1940s. In 1942, as a TB patient fighting with death in a sanitarium in Tang-Marg, Sagar fought with grit and indomitable will with death. He wrote under the nom de plume Ramanand Chopra, Ramanand Bedi, Ramanand Kashmiri and finally Ramanand Sagar. The writer in him made him pen 32 short stories in 12 years, three long-short stories, one novel, two serialised stories and two stage plays. Sagar joined Daily Pratap and rose to become the news editor of Daily Milap, a leading newspaper of Punjab.